A Shayna Maidel
‘Exquisitely acted and given a sensitively paced production by Lisa Forrell’
The Times
‘Lisa Forrell’s company plays with piercing emotional accuracy’
The Independent on Sunday
‘Lisa Forrell has obtained minutely realised performances…’
Financial Times
The Passion of Marianne
‘ Lisa Forrell’s production establishes a powerful visual rhythm, focusing just often enough on the letters……….to remind us of the epistolary form, but never becoming static’
Evening Standard
The Real World?
‘Good urgent writing and gripping performances’
The Sunday Times – Theatre Choice
The Day You’ll Love Me
‘Lisa Forrell’s direction splendidly creates an almost Chekovian mood…’
Evening Standard
‘Lisa Forrell directs with amused sensitivity and the result is a captivating production’
The Observer
‘I invite you to join me on an amazing theatrical discovery’
Daily Mail
‘Lisa Forrell’s superb production’
Time Out & Critics Choice
Slow Dance on the Killing Ground
‘Lisa Forrell’s well-paced direction and three fine performances..’
The Sunday Times
‘Extremely well-played’
The Independent
Time and The Room
‘An impressively bald staging’
Evening Standard
‘Lisa Forrell boldly presents as Pirandellian farce’
Mail on Sunday
‘LF’s scrupulous and faithful production’
Time Out – Critics Choice
Charlemagne
‘Lisa Forrell directs meticulously..’
Financial Times
‘Carefully directed by Lisa Forrell, these are strong performances’
The Guardian
Total Eclipse
‘Lisa Forrell’s production is first-rate’
What’s on Stage
‘..gets a sharp tough production from Lisa Forrell, as ruthless as the writing’
Sunday Times
Unsuspecting Susan
‘Under Lisa Forrell’s direction (Celia Imrie) takes the audience into her snooty confidence right from the off’
Time Out’
‘Savvy direction by Lisa Forrell’
The New York Times
A Day in the Death of Joe Egg
‘’In Lisa Forrell’s fine revival’
The Guardian – Choice
‘Total Eclispe last month and now Peter Nichol’s Joe Egg…the last two (so dissimilar) have been excellently directed by Lisa Forrell’
Financial Times